November 2011
1 post
6 tags
WatchPan Asia, by Paul Wex. This illustrates something I’d thought (and hoped) would emerge from the convergence of still and motion photography technologies. It sits beautifully between those two art forms, managing to create a “feel” that is both unique and as capable. It doesn’t hurt at all, too, that Paul Wex’s score for his film is wonderful.
If you can, watch this...
